Singers
Susan Narucki
Lisa-Marie Mazzucco

With luminous tone and distinctive artistry, American soprano Susan Narucki has earned international acclaim for almost three decades. A dedicated advocate of the music of our time, Ms. Narucki has given over one hundred world premieres and has enjoyed close collaborations with such prominent composers as Louis Andriessen, György Kurtág, Elliott Carter, Pascal Dusapin and George Crumb. Over the years Ms. Narucki’s creative projects, which introduce new music to audiences outside traditional concert hall settings and illuminate broader issues in society, have become recognized and increasingly valued by both the artistic and philanthropic communities. In recent years, in cooperation with a community of generous funders, she has commissioned two chamber operas: Cuatro Corridos, which deals with sex slavery and human trafficking across the Mexico/California border, and most recently Inheritance, a work examining America’s gun culture.


At the University of California at San Diego, where she has been on the music faculty since 2008, she was recently named inaugural Director of Arts and Community Engagement, a new initiative from the Division of Arts and Humanities. Its goal is to connect students, faculty, alumni, staff and the greater community in a variety of performance, program and academic activities that highlight art as a means of fostering broader cultural dialogue and civic engagement. She is also the founder and director of kallisti, a performance ensemble which brings together students from UCSD’s graduate program in Contemporary Music Performance with distinguished guest artists and composers.


Ms. Narucki has made over fifty recordings of music of the 20th and 21st centuries in a wide array of styles, earning broad critical acclaim. Her extensive discography includes three CDs recognized by The Recording Academy: Cuatro Corridos, nominated for a Latin Grammy as Best Classical Contemporary Composition; George Crumb's Star-Child, which won the Grammy for Best Classical Composition; and on another CD, Ms. Narucki's performance of Elliott Carter’s Tempo e Tempi was nominated for a Grammy for Best Classical Vocal Performance. Her recording The Light that Is Felt: Songs of Charles Ives with pianist Donald Berman was selected as Editor's Choice of BBC Music Magazine. In addition to the Grammy Award, Ms. Narucki’s recordings have won the Cannes Award (Best Recording of Works of a Living Composer), L'Académie du Disque Lyrique's award for Best Recording of 21st Century Opera (for James Dillon's Philomela), and others. Her most recent CD is a stunning collection of songs by Aaron Helgeson, Poems of Sheer Nothingness. A new recording of Kurtág songs is currently in production.


Susan Narucki made her professional debut at the 1986 Ojai Festival in the West Coast premiere of Kurtág's Messages of the Late R.V. Troussova, with members of the Los Angeles Philharmonic led by conductor Kent Nagano. Since that time, she has appeared with the Cleveland Orchestra, Los Angeles Philharmonic, Netherlands Opera, San Francisco Symphony, MET Chamber Ensemble, on Great Performers at Lincoln Center and at Carnegie Hall with conductors such as Boulez, Levine, Salonen, Tilson Thomas, de Leeuw and Knussen. Other noteworthy engagements include the West Coast premiere of Andriessen's Die Materie with the Los Angeles Philharmonic under Reinbert de Leeuw, Carter's What Next? and Mathis Nitschke's Jetzt with Opéra national de Montpellier, and the International Festival
Cervantino.

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